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Showing posts with label 2011. Show all posts
Showing posts with label 2011. Show all posts

Spotify to hit US by Fall of 2011


Action Replayy - Music Review

Cast :: Akshay Kumar, Aishwarya Rai, Neha Dhupia, Randhir Kapoor, Om Puri, Kirron Kher, Rajpal Yadav

'Action Replayy' is one film which is arriving as an underdog this Diwali. The film doesn't scream and excites audience by proclaiming - 'Hey, look I am cool' or 'See, Akshay Kumar would be seen as a Mr. Smart Know All' once again' or 'The gags are such that you would fall off your seats'. Instead it does it all in a subtle manner when it comes to treatment though the look of the film does gain audience attention, courtesy the 70s setting that had a psychedelic flavour to it.

No wonder, when the curtains go up, the film begins and a few minutes later, Akshay is introduced as a nerd from the 70s, everyone collectively goes 'eeks' along with his son (Aditya Roy Kapoor) who has made a visit to the past. Forget the flamboyance or the energy that one expects from Akshay Kumar, he actually gets into a garb as never worn before. Donning an ill fitting 'kurta-pyajama', a pair of TV screen style glasses, a 'champu' haircut, an awkward walk and last but the most visible aspect of his personality - two protruding teeth, Akshay is as unlike a hero as one can expect from him or any other supporting actor filling a frame.

Vipul Shah gets the retro flavour bang on right from the time opening credits start rolling. The anthem music, background score, colours, costumes, sets, props - everything blends in truly well to actually traverse audience to the era gone by.

This is not all as the characters too turn into the kind that one expects from the 70s. Aishwarya Rai as a talkative mini skirted young tomboyish girl could well have taken a cue from Neetu Singh, Rannvijay Singh as a harmless villain is a diluted version of Ranjeet & Prem Chopra while Rajpal Yadav is a mini version of the boisterous Rajendra Nath. However, Akshay does something that has never been done by an actor either from the 70s or the current times and this is where the win of the character lies.

So while Aditya tries to develop love between next door neighbours Akshay and Aishwarya, everything that is possibly goes wrong between the duo. A street-smart Ash makes life miserable for Akshay and though he has a soft corner for her, he manages to let go off his feelings when he sees her get out of a mini skirt and don a saree. His heart goes 'dhak dhak' and he is all set to propose to her, but not before he goes through some real transformation. It is time for some 'awaaz neeche' and the game of one-upmanship as he is the one to take the upper seat now with Ash eventually falling in love with her.

A storyline as simple as that has to be sustained by peppering the screen with some interesting ingredients. This is something that is made possible through some fantastic tunes that have been put in place by Pritam. 'Zor Ka Jhatka', 'Chann Ke Mohalla' and 'Ae Bekhabar' arrive one after another and are a treat for the audience. There is a medley of four songs (set in a dance competition) in the second half of the film which is immediately followed by a love song (Tera Mera Pyaar); something that will have mixed reactions from audience as there are too many songs that come in one go.

This is immediately followed by a chase sequence, hence leading to a climax which seems to be set in a Priyadarshan/Anees Bazmee mode. For those who had liked the subtle yet engaging narrative of the film so far, this part of the film has a different flavour to it, something that may entice different reactions from different segments (mass v/s class) of the audience.

Coming back to the film in totality, to its credit there is no dull moment. While some of the fun sequences (Akshay proposing to Ash for the first time in a garden, the series of 'awaaz neeche' episodes, the one where Ash brings a cake for Akshay) do bring on the laughs, there are a few lump in the throat moments as well (Akshay touching Aditya's feet, his sob story on the reason behind his personality). What makes 'Action Replayy' further endearing is the chemistry between Akshay and Ash, something which is unconventional and yet makes one wonder that why the two had never been paired together.

Amongst other actors, Aditya turns out to be a surprise package as he does justice to his lengthy role in the film. He has a pleasant screen presence, is confident and quite natural. Om Puri and Kirron Kher are as usual, Rajpal Yadav is controlled, Rannvijay Singh decent while Randhir Kapoor and Sudeepa Singh are hardly there. Neha Dhupia has a miniscule screen time in a friendly appearance though she makes her presence felt in 'Zor Ka Jhatka'.

Overall, 'Action Replayy' turns out to be a clean musical entertainer that has a young feel to it without turning loud and brings with it an appeal that would cater to audience across all age groups. If in look out for some clean entertainment this Diwali, step into 'Action Replayy'; you would enjoy some harmless fun that would follow in those two hours.

Download Action Replayy MP3 Songs
























































7 Saat Khoon Maaf - Music Review


Cast :: Neil Nitin Mukesh, Priyanka Chopra, Naseruddin Shah, John Abraham, Mohanlal, Irrfan Khan

The very thought of watching a Vishal Bhardwaj film excites a movie buff no end. Right from MAKDEE to KAMINEY, Bhardwaj's body of work stands out from the rest. The forward-thinking film-maker's fixation for adapting novels and plays is known to all and sundry by now. Continuing with his practice of adapting from the written form, the supremely talented storyteller now adapts Ruskin Bond's short story 'Susanna's Seven Husbands' for his new outing 7 KHOON MAAF. Known for walking the unusual path, Bhardwaj narrates an unconventional story yet again - of a woman who marries multiple times, following the untimely death of her husbands.

Till a few years ago, no one would've ever thought of making a film on a woman who marries, remarries, weds again, ties the knot yet again... in fact, she walks down the aisle multiple times. That's not all, the woman, we are told, kills each of her husbands subsequently. The theme might come as a jolt to the trditional moviegoers, since the wives on the Hindi screen are either depicted as docile and dutiful or fiercely independent and ambitious. The question is, will the orthodox Indian audience absorb a theme like this? It's blasphemous, some may opine. Imagine a murderous bride, some may rant.

There's talk that 7 KHOON MAAF is also loosely inspired from an Italian movie by the name SETTE VOLTE DONNA aka WOMAN TIMES SEVEN [1967], helmed by Vittorio De Sica. That one depicted seven short stories with adultery as the focal point [Shirley MacLaine, the protagonist, knits these stories together]. However, the resemblance could be coincidental and not an attempt to plagiarize that film.

7 KHOON MAAF works in parts. A few stories - involving Neil Nitin Mukesh, John Abraham, Irrfan Khan and Annu Kapoor - are absorbing, while at least two could've been better narrated - Naseeruddin Shah and Aleksandr Dyachenko. The unfortunate part is that the uninteresting ones come in the latter half and coupled with its excessive length, the impact generated by a captivating first hour gets diluted in the process. Even the culmination doesn't sweep you off your feet.

Not just the unconventional plot, even the execution of the subject material is offbeat and quirky. There are several instances in the narrative where the viewer has to stay very, very attentive. Unlike other films, Bhardwaj wants his viewer to stay attentive and use his mind while watching the various stories in 7 KHOON MAAF. In one sequence, the camera zooms and the funeral transforms into a marriage, while another sequence depicts the marriage transforming into a funeral. Also, the mystery of the killer with five fingers and one toe is disentangled towards the end, but the sequence doesn't register as effectively thanks to the way it has been depicted.

Susanna [Priyanka Chopra] is unlucky in love. Her first husband, Major Edwin [Neil Nitin Mukesh], is overtly possessive and suspicious. After his demise, Susanna marries Jimmy [John Abraham] as she is floored by his musical talent. Jimmy becomes successful, but with success comes girls and drugs. He dies of drug overdose.

Enter Wasiullah aka Musafir [Irrfan Khan]. Impressed by his poetry, Susanna marries him, but discovers that he's a romantic in daytime, but a beast at night. He too gets eliminated. Susanna falls for the suave Nicolai [Aleksandr Dyachenko] from Moscow, but this marriage doesn't last long as Susanna discovers that Vronsky has a wife in Russia.

Following the death of a foreign national, the police start taking keen interest in the case. The officer Keemat Lal [Annu Kapoor] enters Susanna's life. Initially, he asks for sexual favors and later, persuades her to marry him. He dies due to cardiac arrest. After the death of Keemat Lal, Susanna marries Dr. Modhusudon [Naseeruddin Shah]. Susanne is depressed and he puts her on a mushroom only diet. But he's the first guy in her life who wants to get rid of her. Instead, she murders him.

In the end, Susanna marries yet again... for the seventh time. This time, to someone who knows she has committed the murders and sins. What happens next?

Though Priyanka is shown killing her husbands with the help of her ever-faithful staff, let this be told that it's not a scary or frightful experience. Sure, it's intense, but at the same time Bhardwaj injects humor in the narrative and that's the prime reason why the narrative never gets heavy or serious. I'd like to say this film is in a space of its own.

Also, though the protagonist marries and remarries, you don't feel any kind of animosity or hatred for the character. On the contrary, one empathizes with her never-ending pursuit for true love. One feels the pain, loneliness and tragedy that she goes through and that's what makes her the woman that she eventually turns out to be. Wicked, she is, but Bhardwaj offers reasons for her to get rid of those men. The reasons, in most cases, are convincing. But the transition from one man/husband to another is so sudden that Susanna comes across as a desperate lady hankering for yet another marriage.

Bhardwaj, the writer, leaves the viewer clueless about the two stories in the second hour. Fine, Susanna had learnt that her Russian husband had a wife and two kids tucked away in Russia, but the manner in which the entire case is solved leaves you baffled. In fact, one often wonders if it was so easy to murder a person and move on in life. How could the law enforcement remain a silent spectator despite multiple murders/mysterious deaths involving the same woman? The writing didn't appear foolproof and convincing to me.

Bhardwaj shares yet another responsibility in his films - handling the music department. One is assured that Bhardwaj would come up with lilting and high quality compositions, but the soundtrack of 7 KHOON MAAF is strictly okay. The Indian version of the Russian song 'Kalinka', 'Darling', is already a rage and it goes without saying that it's the best track of the enterprise. Rendered brilliantly, the song is sure to be one of the reasons why people will be tempted to watch the film.

Always ready to accept challenges in her career [AITRAAZ, YAKEEN, FASHION] and raising the bar with her performances, Priyanka accepts the challenge to portray ages from 21 to 65 in 7 KHOON MAAF. It must've been an arduous task to get the different age-groups right, but she proves her infinite acting potential yet again. Known to be an actress who stays true to every character that she is portraying, Priyanka delivers yet another sparkling, award worthy performance this time. There are several love-making sequences with her husbands and Priyanka has handled those [bold] sequences without inhibitions.

Amongst the remaining cast, Annu Kapoor leaves the maximum impact. He's simply outstanding! John doesn't really get much scope, Neil is effective, Irrfan is wonderfully restrained, Naseer is believable and Aleksandr is passable. Vivaan Shah, who narrates the story of Susanna, is a talent to watch out for. Though it's his maiden film as an actor, it doesn't seem like one. He is not your regular debutant and that's what makes his character appear so real. Konkona Sen Sharma does well. Usha Uthup and the two male helps are good.

On the whole, 7 KHOON MAAF is a dark film that has its share of positives and negatives. However, the film will meet with diverse reactions - some will fancy it, while some will abhor it. The film will appeal more to the critics/columnists and the festival circuit. However, it is not the kind of cinema that will set the box-office ablaze. Ideally, I would've given a two star rating for this film, but I am going ahead with an extra star for Priyanka Chopra's sterling performance!

Download 7 Saat Khoon Maaf MP3 Songs
http://www.easy-share.com/1913705146/01%20-%207%20Khoon%20Maaf%20-%20Darling@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1913705182/02%20-%207%20Khoon%20Maaf%20-%20Bekaraan@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1913705203/03%20-%207%20Khoon%20Maaf%20-%20O%20Mama@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1913705239/04%20-%207%20Khoon%20Maaf%20-%20Awaara@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1913705281/05%20-%207%20Khoon%20Maaf%20-%20Tere%20liye@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1913705298/06%20-%207%20Khoon%20Maaf%20-%20Dil%20Dil%20Hai@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1913705348/07%20-%207%20Khoon%20Maaf%20-%20Yeshu@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1913705365/08%20-%207%20Khoon%20Maaf%20-%20Doosri%20Darling@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1913705371/09%20-%207%20Khoon%20Maaf%20-%20O%20Mama%20(Acoustic)@review-of-movies.blogspot.com.mp3

http://oron.com/u1nkr67qskxi/01_-_7_Khoon_Maaf_-_Darling@review-of-movies.blogspot.com.mp3.html
http://oron.com/ao0puqy9lkya/02_-_7_Khoon_Maaf_-_Bekaraan@review-of-movies.blogspot.com.mp3.html
http://oron.com/4x3nn6vxqu5d/03_-_7_Khoon_Maaf_-_O_Mama@review-of-movies.blogspot.com.mp3.html
http://oron.com/mnjoa869orj1/04_-_7_Khoon_Maaf_-_Awaara@review-of-movies.blogspot.com.mp3.html
http://oron.com/ffm99hxrmz2r/05_-_7_Khoon_Maaf_-_Tere_liye@review-of-movies.blogspot.com.mp3.html
http://oron.com/4hzh47gmxjf3/06_-_7_Khoon_Maaf_-_Dil_Dil_Hai@review-of-movies.blogspot.com.mp3.html
http://oron.com/x4kc6zjhht1q/07_-_7_Khoon_Maaf_-_Yeshu@review-of-movies.blogspot.com.mp3.html
http://oron.com/wvzx03na0o25/08_-_7_Khoon_Maaf_-_Doosri_Darling@review-of-movies.blogspot.com.mp3.html
http://oron.com/kzu082xztwhp/09_-_7_Khoon_Maaf_-_O_Mama_(Acoustic)@review-of-movies.blogspot.com.mp3.html

Ready - Music Review

Cast :: Salman Khan, Asin, Arya Babbar, Paresh Rawal, Mahesh Manjrekar

Now this is what one calls a perfect project in the making. Salman Khan, Anees Bazmee, Pritam, Bhushan Kumar and that promise of an out and out entertainer - one strongly believes that the music of Ready can't really go wrong. There are movies that are termed as popcorn entertainers; now here is a soundtrack which one believes would be the kind that would be best enjoyed when being a little high. Though four different lyricists - Amitabh Bhattacharya, Neelesh Misra, Ashish Pandit and Kumaar - are roped in for a song apiece with Devi Sri Prasad also chipping in as a guest composer, you look forward to whether Ready indeed has enough 'dum' in it to be the biggest commercial soundtrack of the year so far.

Pritam lends a fantastic start to Ready with 'Character Dheela' and what actually catches your instant attention is the fact that despite this being a Salman Khan entertainer, the song has the trademark sound that the composer is known for lending to his songs. If one has liked the kind of tunes that Pritam has composed for Shahid in films like Kismat Konnection, Jab We Met and Badmaash Company, he is bound to totally lap up 'Character Dheela' due to the Salman element being cleverly integrated by Amitabh Bhattacharya through his smart lyrics (don't miss that reference to 'Munni' and 'Sheila').

Going totally by Salman's on/off screen image which in any case is hardly different these days, 'Character Dheela' by Neeraj Shridhar and Amrita Kak is a lot of fun for those four minutes that it plays. An interesting choreography with Zarine Khan exuding oomph (a distinct shift from her Veer image) is another good reason that further consolidates the fact that 'Character Dheela' would entice a lot of 'seetis' and 'taalis' when it plays on screen. A chartbuster all the way that also arrives in a 'remix' and accentuates the fun.

What follows next is the kind of romantic number that Salman had to his name in dozens during the 90s. Written by Neelesh Misra, 'Humko Pyar Hua' also has short English portions in between the 'antra' and has KK going subtle in his rendition with Tulsi Kumar giving him good support. Though the original tune as well as it's remix is fine and doesn't give any reason to complain, it is nowhere close to the kind that Salman has enjoyed in Veer (Surili Ankhiyon Wali) and Dabangg (Tere Mast Mast Nain). At the end of it all, 'Humko Pyar Hua' is one harmless number that will find some popularity going for it only after the film turns out to be a success.

What is definitely going to be popular though in the very first go is 'Dhinka Chika' which is all set to be the biggest chartbuster of the first half of 2011 at the least. A re-done version of Telugu number 'Ringa Ringa' (Arya 2) with the original composer Devi Sri Prasad being roped in here, 'Dhinka Chika' (also arriving again in the 'remix version') has Mika Singh and Amrita Kak bringing on the kind of attitude that was pretty much required for the song of this genre. Ashish Pandit's lyrics are as 'chalu' as it gets and reminds one of the songs that were made for Mithun Chakravorty, Jeetendra and Govinda during the 80s. Expect frenzy in theaters, especially single screens, when the song plays on screen.

Pritam returns on the scene with a quintessential North Indian 'shaadi byaah' celebration track 'Meri Ada Bhi' that starts off with the folk rendition of much heard 'Laung Gawacha'. A rhythmic track that surprisingly has Rahat Fateh Ali Khan at the helm of affairs (since he is known more for his soulful melodies rather than dance numbers), 'Meri Ada Bhi' is what one terms as the kind of number which has been made for family audience. Tulsi Kumar too is pretty much in elements here for this song that at places does tend to veer towards 'U and I' (Pritam's composition from De Dana Dan at places) courtesy the way Rahat approaches it before the composer manages to pull it all back.

Any regrets from Ready? Only one which is - 'it finishes off too soon'. From an album of this stature one expected at least a couple of more songs to make it a wholesome affair. However, with only four songs in the album, one longs to lay hands on a lot more. Nonetheless, from what is made available, there are good enough reasons to celebrate with 'Dhinka Chika' and 'Character Dheela' all set to be not just huge hits musically but also turn out to be massive crowd pullers. On the other hand 'Meri Ada Bhi' ends up adding good variety to the album with 'Humko Pyar Hua' carrying a potential to gather steam once the film releases. Once on shelves, Ready should be a sell-out due to all around craze amongst audience to check out what the music is all about. However, the momentum is only going to continue after the film hits the screens.

Download Ready MP3 Songs
http://www.easy-share.com/1914979982/01%20-%20Ready%20-%20Character%20Dheela%20(Ishq%20Ke%20Naam)@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1914980239/02%20-%20Ready%20-%20Humko%20Pyaar%20Hua%20(Chal%20Chale)@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1914980324/03%20-%20Ready%20-%20Dhinka%20Chika@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1914980401/04%20-%20Ready%20-%20Meri%20Ada%20Bhi%20(Ishq%20Ne%20Mere)@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1914980475/05%20-%20Ready%20-%20Dhinka%20Chika%20(Remix)@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1914980549/06%20-%20Ready%20-%20Humko%20Pyar%20Hua%20(Chal%20Chale)%20(Remix)@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1914980582/07%20-%20Ready%20-%20Character%20Dheela%20(Ishq%20Ke%20Naam)%20(Remix)@review-of-movies.blogspot.com.mp3
http://www.easy-share.com/1914980597/08%20-%20Ready%20-%20Meri%20Ada%20Bhi%20(Ishq%20Ne%20Mere)%20(Remix)@review-of-movies.blogspot.com.mp3

http://oron.com/dhhdf5ej417j/01_-_Ready_-_Character_Dheela_(Ishq_Ke_Naam)@review-of-movies.blogspot.com.mp3.html
http://oron.com/xeyeiz363dzv/02_-_Ready_-_Humko_Pyaar_Hua_(Chal_Chale)@review-of-movies.blogspot.com.mp3.html
http://oron.com/8cyurd8jxo0p/03_-_Ready_-_Dhinka_Chika@review-of-movies.blogspot.com.mp3.html
http://oron.com/1426xgytild2/04_-_Ready_-_Meri_Ada_Bhi_(Ishq_Ne_Mere)@review-of-movies.blogspot.com.mp3.html
http://oron.com/a8qrvg8o7eru/05_-_Ready_-_Dhinka_Chika_(Remix)@review-of-movies.blogspot.com.mp3.html
http://oron.com/qoxi1x2814j2/06_-_Ready_-_Humko_Pyar_Hua_(Chal_Chale)_(Remix)@review-of-movies.blogspot.com.mp3.html
http://oron.com/9bph58n4k6je/07_-_Ready_-_Character_Dheela_(Ishq_Ke_Naam)_(Remix)@review-of-movies.blogspot.com.mp3.html
http://oron.com/n5i49fufojdn/08_-_Ready_-_Meri_Ada_Bhi_(Ishq_Ne_Mere)_(Remix)@review-of-movies.blogspot.com.mp3.html